About the Antique Rugs of the Future Project
Sheep Breeds of Azerbaijan
Shearing, Sorting, Washing, Carding, Spinning
"The advantages of handspun yarn to machine spun yarn"
Rediscovery of Ancient Natural Dyes
Our Natural Dyestuffs
Difference between synthetically and naturally dyed rugs
Weaving and Finishing Steps
Galleries of ARFP Caucasian Azerbaijani Rugs
A finely woven Shirvan Marasali Prayer
rug with the flaming boteh elements and samovar motifs
Size (metric): 130x170cm
Size (ft): 4'3"x5'6"
Area: 2.21 m2
Density: 170 000 knots per square meter, totally ~440 000 knots
Weaving period: three months
Colors (11): madder red, coral, light blue, medium blue, midnight blue, goldenrod, forest green (dark), aubergine, grass green, natural ivory sheep wool (undyed), natural dark brown (undyed).
Dyes: 100% natural dyes: madder, weld (Reseda Luteola), indigo, pomegranate skins, walnut husks, natural brown sheep wool, natural ivory sheep wool
Materials: Handcarded and handspun wool for pile, ivory wool warps and cotton wefts
Handwoven in Azerbaijan, within the boundaries of historical Shirvan Region
Design: The indigo field with diagonal rows of polychrome serrated boteh, the indigo mihrab arch above with an ivory keel arch of angular vine scattered with minor motifs around rows of polychrome boteh, inner reciprocal skittle-pattern stripe, in an ivory border of angular stylised floral vine between indigo flowerhead angular vine stripes. dated 1435 (2014)
Contact us for more information about this rug
Samovar - a metal urn, often of brass, with a spigot near its base, widely used to boil water for tea. In traditional samovars water is heated by means of a vertical tube, containing burning charcoal, running up the middle of the urn. A filled teapot is set atop the chimney to steep. A lighter brew can be obtained by adding more water to the teacup from the spigot. Traditionally, a samovar was used for all household needs that required hot water, and almost all families possessed one.
An antique brass samovar
Buta/Boteh has been used in Iran, Central Asia and Caucasus since the Sassanid Dynasty (AD 224 to AD 651). Some design scholars believe the Boteh is the convergence of a stylized floral spray and a cypress tree: a Zoroastrian symbol of life and eternity. A floral motif called Buteh, which originated in the Sassanid Dynasty (200–650 AD) of Iran and later in the Safavid Dynasty (from 1501 to 1736), was a major textile pattern in Iran and Caucasus during the Qajar Dynasty.
In these periods, the pattern was used to decorate royal regalia, crowns,
and court garments, as well as textiles used by the general population.
According to Azerbaijani historians, the design comes from ancient times of
Zoroastrianism and is an expression of the essence of that religion. It
subsequently became a decorative element widely used in Azerbaijani culture
The usage of the pattern goes beyond clothing – paintings, jewelry, frescoes, curtains, tablecloths, quilts, carpets, garden landscaping, and pottery also sport the buta design in Azerbaijan, Iran and Central Asia.
Buta/Boteh is also one of the most important ornamental motifs of Mughal Indian art, consisting of a floral spray with stylized leaves and flowers. It is used in architecture and painting and in textiles, enamels, and almost all other decorative arts. The motif began to gain importance in the reign of the Mughal emperor Jahangir (1605–27).
Here is a decoration of applied-leather plant motif on a leather flask from the Pazyryk tombs, Altai Mountains` (5th century BC). Hermitage Museum”. This is perhaps the earliest decoration which can be connected to the boteh motif.
In sum, boteh/buta element may have different meanings in the different cultures: Zoroastrian flame, shrub, Scythian decorative motif, a bird, flower, cypress tree etc.
For more information about the above rug or to place an order please email firstname.lastname@example.org (Baku, Azerbaijan) or email@example.com (San Francisco Bay Area). We will get back to you within 24 hours or less.